Tuesday, January 15, 2013

How Could I?


Quick preface, I found my jump drive from high school. I had totally forgotten about this story and am not sure where I was going with it. It is the study of one moment in 3 different points of view. 


How Could I?
Pretend I am interesting. Pretend you’re engrossed in me, my eyes catching yours and hold you, pulling you toward me like some siren on a rock, all glossy lips and flowing hair.
            Watch me. You know you want too. You have too. See the curve of my hips, dimples in my cheeks.
            Now, look away, quickly, before she catches you. Run your hand down her back, glossing over the hidden zipper but stopping before you reach the tulle that surrounds her waist like cooled lava, trapping her there.
            Smile. She’s entertaining, twirling fake hair around her fake fingers, whispering jokes in your ear for everyone to see. And of course they do.
            When she turns to speak to the gentleman beside her (who immediately take this opportunity to glance into her cleavage, pushed up high and proudly on display, like meat in a butcher shop) take a sip of the champagne clutched in your other hand. It’ll give you a headache later (it always does) but who truly cares?
            Now, should you risk glancing at me again? Perhaps no one will notice. You could simply look up and casually survey the room before catching my eye again. We could convey a lengthy conversation by simply batting our mutually full lashes and pursing our perfectly formed lips.
            You could do that.
            Instead, you reach for your wife’s hand, pull her away from the older gentleman who’s pacemaker is getting a workout and lead her to the dance floor. Place the champagne flute down on a table without her noticing; after all you’re not supposed to drink anymore.
            Twirl her around. You both are wonderful dancers.
            How could you dare be anything else?
            *
            “Doris Ray is getting fat.” Amelia says blankly, twirling a piece of hair around her long manicured finger.
            “Darling, she’s pregnant,” Roger, her husband replies, not bothering to look at her.
            “Oh, that’s such a vile sight. I don’t think people should be allowed out when they’re in her…condition.”
            “Of course not.”  He still doesn’t bother to look at her but Amelia is used to that. They are not the staring in deep into the eyes kind of couple. Once, someone said eyes were the windows to the soul but she doesn’t agree. Eyes are the stairs to the basement, just a step down into things you want to forget.
            “Waiter, can I have another drink?” Roger asks the strapping young man in the white dinner jacket who is passing by with a tray. It is piled high with used napkins, empty lipstick marked glasses and a few sad horderves. Amelia’s stomach rumbles at the sight of them, but she doesn’t notice. She is not the eating sort of woman.
            “You don’t need to drink dear. Remember what the doctor said?” She reminds him, her voice light and lilting, but at the same time adequately letting him know that she remembers exactly what the doctor said. Something around the lines of, “Your husband is a drunk, but a good drunk and a good man you’re lucky to have.”
            “Yes, darling. Nix the drink, sir,” Roger says to the waiter, while at the same time signaling him to go ahead and bring the drink anyway.
            Amelia closes her eyes.
            How could she do anything else?
            *
            We entered the room, me navigating Amelia like she's some show dog on parade. Her skirt rustles as we make our way down the stairs and her fingernails cut into me, even though the arms of my coat. She hates stairs, always has. Once when she was a child she fell down the set in her parents’ home, breaking her collarbone. Even now she has a scar there, small and curved, like a sickle.
            "You're doing fine." I whispered as we finally neared the last few steps.

            "Shush, smile!" she hisses at him from the corner of her mouth because we are being watched.

            When her heals finally touch the floor, Amelia goes slack with relief but only for a moment. Too soon, in my opinion, her back is straight and her face is set as she starts to mingle. I follow her lead , our roles reversing.

            "Roger, dear, can you go hang my wrap?" she asks pleasantly.

            "Of course," she hands me the midnight blue piece of gauze and I take it to the coat room, managing not to have stop and make conversation on the way. When I hand her shawl to the attendant, he gives me a look as if to say, my, my aren't you hen pecked? Instead, he said, "Thank you sir."

            Making my way back through the crowd I wasn't so lucky. Humphrey Ray stopped me in the middle of the room to discuss some business venture he wanted me to invest in, but like anyone Humphrey speaks too, I tuned him out. Instead I searched the room for Amelia.

            It didn't take long to find her. She was talking to some society marm, right beside the dance floor. She reached up to absentmindedly twirl a piece of hair around her fingers. I tried to catch her eye but she never looked up. Instead I caught Doris's. She blinked startled. Obviously she had been trying to get her husband’s attention but the old blow hard was to engrossed in me to notice anything. I smiled at Doris and then carefully pointed Humphrey in her direction. She blinked, startled, before turning to her husband.

            I made my way back to Amelia.

            After all, what else would I want to do?